ベルクマン　アンネグレート （ベルリン自由大学　歴史文学部講師・ＩＴ企業法務研究所研究員） 1999年のアメリカ合衆国雑誌「LIFE」の企画、「1000年の間に世界で一番功績を残した100人」江戸時代の絵師、葛飾...[続きを読む]

ベルクマン　アンネグレート 　歌舞伎では男だけが舞台に立ち、女の役は女形が女に、厳密に言えば、男性から見た理想の女性になりきって演じます。歌舞伎は現在も江戸時代（1603-1868）の町民の娯楽の世界を供す...[続きを読む]

Annegret Bergmann As a student I was working at an auction house specialized in Asian Art　 in Cologne, which provided me with the great opportunity to get close to the objects I was studying and ...[続きを読む]

By Anne BergmannToday there are two possible paths open to young men who aspire to become kabuki actors. One can join one of the main actors as an apprentice, which is basically an absurd and hopel...[続きを読む]

Anne BergmannIn the autumn of 1986, I spent all of my spare money to travel from Bonn to Brussels to see a performance of “The Kabuki” by the Tokyo Ballet. As a student, I never imagined that twent...[続きを読む]